{"id":1023,"date":"2021-03-26T14:29:02","date_gmt":"2021-03-26T19:29:02","guid":{"rendered":"http:\/\/diluo.digital.conncoll.edu\/Asianart\/?p=1023"},"modified":"2021-12-21T11:08:58","modified_gmt":"2021-12-21T16:08:58","slug":"kiyohime-emerging-from-the-hidaka-river-turning-into-a-serpent","status":"publish","type":"post","link":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/image\/kiyohime-emerging-from-the-hidaka-river-turning-into-a-serpent\/","title":{"rendered":"Kiyohime, Emerging from the Hidaka River, Turning into a Serpent"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"694\" height=\"1024\" src=\"http:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/03\/ma-68602-1-1-694x1024.jpg\" alt=\"\" class=\"wp-image-1024\" srcset=\"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/03\/ma-68602-1-1-694x1024.jpg 694w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/03\/ma-68602-1-1-203x300.jpg 203w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/03\/ma-68602-1-1-768x1133.jpg 768w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/03\/ma-68602-1-1-1042x1536.jpg 1042w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/03\/ma-68602-1-1-1389x2048.jpg 1389w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/03\/ma-68602-1-1-1246x1838.jpg 1246w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/03\/ma-68602-1-1-675x995.jpg 675w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/03\/ma-68602-1-1-480x708.jpg 480w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/03\/ma-68602-1-1.jpg 1424w\" sizes=\"auto, (max-width: 694px) 100vw, 694px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Creator: <a href=\"https:\/\/artsandculture.google.com\/culturalinstitute\/beta\/u\/1\/entity\/m01rtn7\">Tsukioka Yoshitoshi<\/a><br>Date Created: 1865, 9th month<br>Location: Japan<br>Physical Dimensions: Image: 13 11\/16 x 9 1\/2 in. (34.8 x 24.1 cm); Sheet: 15 3\/16 x 10 3\/8 in. (38.6 x 26.4 cm)<br>Medium: Color woodblock print<br>Period: Edo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This Edo Period woodblock depicts Kiyohime, a character from a Japanese folk story over 1,000 years old. The story tells the tale of Kiyohime and Anchin, a buddhist monk with whom she has fallen madly in love. When Anchin rejects Kiyohime&#8217;s advances, she becomes enraged and chases him across the Hidaka river. When she emerges on the other side, she turns into a serpent, as seen in the print by Yoshitoshi. The artist shows her hunched over and contorted while waves lap around her feet. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Creator: Tsukioka YoshitoshiDate Created: 1865, 9th monthLocation: JapanPhysical Dimensions: Image: 13 11\/16 x 9 1\/2 in. (34.8 x 24.1 cm);&#8230;<\/p>\n","protected":false},"author":7,"featured_media":1046,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[3,2],"class_list":["post-1023","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-image","tag-japan","tag-print","wpcat-18-id"],"_links":{"self":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/1023","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/comments?post=1023"}],"version-history":[{"count":5,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/1023\/revisions"}],"predecessor-version":[{"id":1115,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/1023\/revisions\/1115"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/media\/1046"}],"wp:attachment":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/media?parent=1023"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/categories?post=1023"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/tags?post=1023"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}