{"id":1073,"date":"2021-03-25T20:28:11","date_gmt":"2021-03-26T01:28:11","guid":{"rendered":"http:\/\/diluo.digital.conncoll.edu\/Asianart\/?p=1073"},"modified":"2021-12-31T19:46:49","modified_gmt":"2022-01-01T00:46:49","slug":"ix-yaizu","status":"publish","type":"post","link":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/image\/ix-yaizu\/","title":{"rendered":"Hiroshima Panels IX Yaizu"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"253\" src=\"http:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/03\/09-yaizu-1-1024x253.jpg\" alt=\"\" class=\"wp-image-1074\" srcset=\"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/03\/09-yaizu-1-1024x253.jpg 1024w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/03\/09-yaizu-1-300x74.jpg 300w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/03\/09-yaizu-1-768x190.jpg 768w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/03\/09-yaizu-1-1536x379.jpg 1536w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/03\/09-yaizu-1-1246x308.jpg 1246w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/03\/09-yaizu-1-675x167.jpg 675w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/03\/09-yaizu-1-480x119.jpg 480w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/03\/09-yaizu-1.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Title:<\/strong> IX Yaizu (ninth of the series, Hiroshima Panels)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Creator:<\/strong> Maruki Iri, Maruki Toshi<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Date:<\/strong> 1955<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Period:<\/strong> Post-WWII US Occupation of Japan<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Location:<\/strong> Tokyo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Culture:<\/strong> Japanese<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Material:<\/strong> Sumi ink, pigment, glue, charcoal or cont\u00e9 on paper<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Dimensions:<\/strong> 180 x 720 cm<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Repository:<\/strong> Maruki Gallery, <a href=\"https:\/\/marukigallery.jp\/en\/hiroshimapanels\/\">https:\/\/marukigallery.jp\/en\/hiroshimapanels\/<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Description: &#8220;Yaizu&#8221; is the portrayal of a third nuclear disaster befalling the Japanese at the hands of the Americans. During the cold war, the US was testing a hydrogen bomb on the Micronesian bikini atoll in the pacific ocean. Unintentionally, the bomb exploded in the midst of Japanese fishermen and the native Micronesian&#8217;s. Pictured is a fishing vessel from the port of Yaizu in Japan, showered with nuclear fallout. Crew members on the craft perished within months as they succumbed to the intense thermal and nuclear ailments. As the right is dominated by the fishing vessel, ascending into the skies, painted with a peaceful light grey and white, individual people occupy the left. &#8220;Yaizu&#8221; differs from the approach of the other panels in this exhibit as it portrays every individual as opposed to a pile of skulls and bodies that blur from one to the other. In this way, &#8220;Yaizu&#8221; depicts the humanity of each individual, with their own faces, clothes, and posture.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Title: IX Yaizu (ninth of the series, Hiroshima Panels) Creator: Maruki Iri, Maruki Toshi Date: 1955 Period: Post-WWII US Occupation&#8230;<\/p>\n","protected":false},"author":6,"featured_media":1074,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[3],"class_list":["post-1073","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-image","tag-japan","wpcat-18-id"],"_links":{"self":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/1073","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/comments?post=1073"}],"version-history":[{"count":5,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/1073\/revisions"}],"predecessor-version":[{"id":3563,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/1073\/revisions\/3563"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/media\/1074"}],"wp:attachment":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/media?parent=1073"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/categories?post=1073"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/tags?post=1073"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}