https:\/\/library.artstor.org\/#\/asset\/AWSS35953_35953_29401333<\/a><\/p>\n\n\n\n<\/p>\n\n\n\n
This Serpentine Gallery Pavilion from 2009 exhibits many of the same features as the Koga Park Caf\u00e9. For example, this structure consists of a thin roof supported by very slender columns, giving it a weightless, delicate quality. Additionally, there are no walls or partitions at all, completely opening the space up to the surrounding park and making it possible to see straight through it on all sides. This also allows for variability in how the space might be used. Much like the Koga Park Caf\u00e9, this pavilion has a mirrored metallic roof. As seen in the second image, this surface can make it difficult to even see the structure because of how reflective it is of the park and sky around it. This accomplishes a different kind of transparency; even though there is a solid barrier blocking the view, the type of material used helps it blend in with its environment so well that it gives the sense that one is seeing through it. Traditional Japanese architecture also often made use of materials to blend in with the environment. Wood was commonly used because it is a natural material that evokes a connection to the trees around the building. Although Sejima\u2019s contemporary designs are visually very different from traditional architecture, the creative use of materials to connect with nature is found in both. This quality in the Serpentine Gallery Pavilion is furthered by the unique shape of its roof. While the Koga Park Caf\u00e9\u2019s roof is a rigid, rectangular shape, the pavilion has a more haphazard, organically shaped roof that resembles a cloud with natural, curved edges.<\/p>\n","protected":false},"excerpt":{"rendered":"
Carine DeBenedittis Location: London, UK Date: 2009 Material: aluminum, other metals Image link (1): https:\/\/commons.wikimedia.org\/wiki\/File:Serpentine_Gallery_2009_Pavilion.JPG Image link (2): https:\/\/library.artstor.org\/#\/asset\/AWSS35953_35953_29401333 This…<\/p>\n","protected":false},"author":18,"featured_media":1305,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[3],"class_list":["post-1294","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-image","tag-japan","wpcat-18-id"],"_links":{"self":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/1294","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/comments?post=1294"}],"version-history":[{"count":5,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/1294\/revisions"}],"predecessor-version":[{"id":3557,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/1294\/revisions\/3557"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/media\/1305"}],"wp:attachment":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/media?parent=1294"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/categories?post=1294"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/tags?post=1294"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"\"](\"http:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/05\/800px-Serpentine_Gallery_2009_Pavilion-2-1.jpg\")
<\/figure><\/div>\n\n\n\n![\"\"](\"http:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/05\/AWSS35953_35953_29401333-1.jpg\")
<\/figure><\/div>\n\n\n\n![https:\/\/commons.wikimedia.org\/wiki\/File:Serpentine_Gallery_2009_Pavilion.JPG<\/a><\/p>\n\n\n\nImage link (2): https:\/\/library.artstor.org\/#\/asset\/AWSS35953_35953_29401333<\/a><\/p>\n\n\n\n<\/p>\n\n\n\nThis Serpentine Gallery Pavilion from 2009 exhibits many of the same features as the Koga Park Caf\u00e9. For example, this structure consists of a thin roof supported by very slender columns, giving it a weightless, delicate quality. Additionally, there are no walls or partitions at all, completely opening the space up to the surrounding park and making it possible to see straight through it on all sides. This also allows for variability in how the space might be used. Much like the Koga Park Caf\u00e9, this pavilion has a mirrored metallic roof. As seen in the second image, this surface can make it difficult to even see the structure because of how reflective it is of the park and sky around it. This accomplishes a different kind of transparency; even though there is a solid barrier blocking the view, the type of material used helps it blend in with its environment so well that it gives the sense that one is seeing through it. Traditional Japanese architecture also often made use of materials to blend in with the environment. Wood was commonly used because it is a natural material that evokes a connection to the trees around the building. Although Sejima\u2019s contemporary designs are visually very different from traditional architecture, the creative use of materials to connect with nature is found in both. This quality in the Serpentine Gallery Pavilion is furthered by the unique shape of its roof. While the Koga Park Caf\u00e9\u2019s roof is a rigid, rectangular shape, the pavilion has a more haphazard, organically shaped roof that resembles a cloud with natural, curved edges.<\/p>\n","protected":false},"excerpt":{"rendered":"Carine DeBenedittis Location: London, UK Date: 2009 Material: aluminum, other metals Image link (1): https:\/\/commons.wikimedia.org\/wiki\/File:Serpentine_Gallery_2009_Pavilion.JPG Image link (2): https:\/\/library.artstor.org\/#\/asset\/AWSS35953_35953_29401333 This…<\/p>\n","protected":false},"author":18,"featured_media":1305,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[3],"class_list":["post-1294","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-image","tag-japan","wpcat-18-id"],"_links":{"self":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/1294","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/comments?post=1294"}],"version-history":[{"count":5,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/1294\/revisions"}],"predecessor-version":[{"id":3557,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/1294\/revisions\/3557"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/media\/1305"}],"wp:attachment":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/media?parent=1294"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/categories?post=1294"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/tags?post=1294"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"https:\/\/commons.wikimedia.org\/wiki\/File:Serpentine_Gallery_2009_Pavilion.JPG\"){kind=link}