{"id":1657,"date":"2021-09-20T14:28:48","date_gmt":"2021-09-20T19:28:48","guid":{"rendered":"http:\/\/diluo.digital.conncoll.edu\/Asianart\/?p=1657"},"modified":"2021-09-20T14:28:48","modified_gmt":"2021-09-20T19:28:48","slug":"waves-at-matsushima","status":"publish","type":"post","link":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/image\/waves-at-matsushima\/","title":{"rendered":"Waves at Matsushima"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"987\" height=\"625\" src=\"http:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/09\/WavesAtMatsushima-1.png\" alt=\"\" class=\"wp-image-1662\" srcset=\"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/09\/WavesAtMatsushima-1.png 987w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/09\/WavesAtMatsushima-1-300x190.png 300w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/09\/WavesAtMatsushima-1-768x486.png 768w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/09\/WavesAtMatsushima-1-675x427.png 675w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/09\/WavesAtMatsushima-1-480x304.png 480w\" sizes=\"auto, (max-width: 987px) 100vw, 987px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Title<\/strong>: Waves at Matsushima<br><strong>Creator<\/strong>: Tawaraya Sotatsu<br><strong>Period<\/strong>: Edo, 17th century<br><strong>Location<\/strong>: Japan<br><strong>Type<\/strong>: Screens (six-panel)<br><strong>Medium<\/strong>: Ink, color, gold, and silver on paper<br><strong>Dimensions<\/strong>: 65 \u215c\u201d X 145 \u215d\u201d\u00a0 (each panel)<br><strong>Collection<\/strong>: Freer Gallery of Art<br><strong>Repository<\/strong>: Smithsonian\u2019s National Museum of Asian Art, Washington, <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Description<\/strong>:<br>Depicting the Pine Islands (Matsushima) in northeastern Japan, Sotatsu\u2019s six-panel piece perfectly highlights one of the \u201cThree Views\u201d of Japan. The piece utilizes vivid colors of blue, brown, and green on the rock formations that bloom with pine trees, and a gold underscore accentuates these mineral features among the more lightened ink and gold waves banking around the islands. Here, there is a strong mixture among three of the five elements, or godai, in Japanese tradition: earth, water, and wind. The clouds, painted with gold and silver, blend with the rock and are almost viewed as touching the waves below. This scene, outlined by blue and gold, encapsulates Sotatsu\u2019s style from the Rinpa school.<\/p>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>References<\/strong>:<br><strong>Photo Reference<\/strong>: Photo taken by the Smithsonian\u2019s National Museum of Asian Art.<br><strong>Link<\/strong>: <a href=\"https:\/\/asia.si.edu\/object\/F1906.231-232\/\">https:\/\/asia.si.edu\/object\/F1906.231-232\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Title: Waves at MatsushimaCreator: Tawaraya SotatsuPeriod: Edo, 17th centuryLocation: JapanType: Screens (six-panel)Medium: Ink, color, gold, and silver on paperDimensions: 65&#8230;<\/p>\n","protected":false},"author":46,"featured_media":1659,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[3,14,48,46],"class_list":["post-1657","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-image","tag-japan","tag-painting","tag-panel","tag-sotatsu","wpcat-18-id"],"_links":{"self":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/1657","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/users\/46"}],"replies":[{"embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/comments?post=1657"}],"version-history":[{"count":1,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/1657\/revisions"}],"predecessor-version":[{"id":1705,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/1657\/revisions\/1705"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/media\/1659"}],"wp:attachment":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/media?parent=1657"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/categories?post=1657"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/tags?post=1657"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}