{"id":1661,"date":"2021-09-20T14:46:52","date_gmt":"2021-09-20T19:46:52","guid":{"rendered":"http:\/\/diluo.digital.conncoll.edu\/Asianart\/?p=1661"},"modified":"2021-09-20T14:46:52","modified_gmt":"2021-09-20T19:46:52","slug":"hasegawa-tohakus-pine-trees","status":"publish","type":"post","link":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/image\/hasegawa-tohakus-pine-trees\/","title":{"rendered":"Hasegawa Tohaku&#8217;s Pine Trees"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"799\" height=\"374\" src=\"http:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/09\/Pine-Trees-Hasegawa-Tohaku.jpg\" alt=\"\" class=\"wp-image-1694\" srcset=\"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/09\/Pine-Trees-Hasegawa-Tohaku.jpg 799w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/09\/Pine-Trees-Hasegawa-Tohaku-300x140.jpg 300w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/09\/Pine-Trees-Hasegawa-Tohaku-768x359.jpg 768w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/09\/Pine-Trees-Hasegawa-Tohaku-675x316.jpg 675w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/09\/Pine-Trees-Hasegawa-Tohaku-480x225.jpg 480w\" sizes=\"auto, (max-width: 799px) 100vw, 799px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Title:<\/strong> Pine Trees<br><strong>Artist:<\/strong> Hasegawa Tohaku<br><strong>Culture: <\/strong>Japan<br><strong>Media:<\/strong> Ink on Paper<br><strong>Dimensions: <\/strong>w345.1 x h155.1 cm<br><strong>Repository: <\/strong>Tokyo National Museum<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Description:<\/strong><br>Hasegawa Tohaku&#8217;s\u00a0<em>Pine Trees<\/em>\u00a0was painted during the Azuchi-Momoyama period in Japan. These two ink painting was done on a paper screen (only one shown) and portray a small cluster of pine trees emerging through a thick fog. Tohaku&#8217;s use of dark ink in the foreground and lighter ink in the background creates depth and evokes feelings of mystery and calmness in the viewer. Tohaku&#8217;s paintings span various media and genres, but during the time in his career when\u00a0<em>Pine Trees<\/em>\u00a0was painted, his work was heavily inspired by minimalism and Zen ideologies. While using limited materials, color palettes, and artistic subjects, Tohaku is able to create depth, convey a soft, delicate atmosphere, and evoke feelings of serenity in the viewer.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>References:<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Image Source: Google Arts and Culture.\u00a0<em><a href=\"https:\/\/artsandculture.google.com\/asset\/pine-trees-hasegawa-touhaku\/HgFQR4hgzPorXg?hl=en\">https:\/\/artsandculture.google.com\/asset\/pine-trees-hasegawa-touhaku\/HgFQR4hgzPorXg?hl=en<\/a><\/em><br>Other Source(s): O\u2019Shaughnessy, Kevin.\u00a0<em>Hasegawa Tohaku\u2019s Pine Trees \u2014 Minimalism and Art in Warring States Japan.\u00a0<\/em>Mar. 8th, 2019.\u00a0<a href=\"https:\/\/kevinoshaughnessy2017.medium.com\/hasegawa-tohakus-pine-trees-minimalism-and-art-in-warring-states-japan-6763cd96baa7\">https:\/\/kevinoshaughnessy2017.medium.com\/hasegawa-tohakus-pine-trees-minimalism-and-art-in-warring-states-japan-6763cd96baa7<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Title: Pine TreesArtist: Hasegawa TohakuCulture: JapanMedia: Ink on PaperDimensions: w345.1 x h155.1 cmRepository: Tokyo National Museum Description:Hasegawa Tohaku&#8217;s\u00a0Pine Trees\u00a0was painted&#8230;<\/p>\n","protected":false},"author":43,"featured_media":1694,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[56,55,3],"class_list":["post-1661","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-image","tag-hasegawa-tohaku","tag-ink","tag-japan","wpcat-18-id"],"_links":{"self":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/1661","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/users\/43"}],"replies":[{"embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/comments?post=1661"}],"version-history":[{"count":1,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/1661\/revisions"}],"predecessor-version":[{"id":1775,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/1661\/revisions\/1775"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/media\/1694"}],"wp:attachment":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/media?parent=1661"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/categories?post=1661"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/tags?post=1661"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}