{"id":1799,"date":"2021-09-20T20:07:03","date_gmt":"2021-09-21T01:07:03","guid":{"rendered":"http:\/\/diluo.digital.conncoll.edu\/Asianart\/?p=1799"},"modified":"2021-12-31T19:42:55","modified_gmt":"2022-01-01T00:42:55","slug":"pine-trees-2","status":"publish","type":"post","link":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/image\/pine-trees-2\/","title":{"rendered":"Pine Trees"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Title: Pine Trees<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Creator: Hasegawa Tohaku<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Medium: painting<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Materials: ink of paper<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Date: 1539-1610<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Culture: Japan<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dimensions: each panel 156.8 \u00d7 356 cm&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The Pine Trees screen is a single part of a six part panel of folding screens created by Hasegawa Tohaku, a very profound Japanese artist. This painting, Pine Trees, has been so revered by Japanese culture and society that it is considered a national treasure. Upon research the scene is highly influenced by the \u201csplashed ink\u201d technique developed by Sesshu Toyo. This is one of the first pieces that featured trees as the main subject. It depicts a scene of pine trees shrouded by a mist. There is also a partial formation of a mountain in the distance.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Title: Pine Trees Creator: Hasegawa Tohaku Medium: painting Materials: ink of paper Date: 1539-1610 Culture: Japan Dimensions: each panel 156.8&#8230;<\/p>\n","protected":false},"author":36,"featured_media":1761,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[3],"class_list":["post-1799","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-image","tag-japan","wpcat-18-id"],"_links":{"self":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/1799","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/users\/36"}],"replies":[{"embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/comments?post=1799"}],"version-history":[{"count":3,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/1799\/revisions"}],"predecessor-version":[{"id":2502,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/1799\/revisions\/2502"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/media\/1761"}],"wp:attachment":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/media?parent=1799"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/categories?post=1799"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/tags?post=1799"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}