{"id":488,"date":"2021-02-23T10:32:43","date_gmt":"2021-02-23T15:32:43","guid":{"rendered":"http:\/\/diluo.digital.conncoll.edu\/Asianart\/?p=488"},"modified":"2021-12-31T19:53:40","modified_gmt":"2022-01-01T00:53:40","slug":"jomon-period-jar","status":"publish","type":"post","link":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/image\/jomon-period-jar\/","title":{"rendered":"Jomon Period Jar"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"904\" height=\"1024\" src=\"http:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/02\/1999-130-1-1-904x1024.jpg\" alt=\"\" class=\"wp-image-490\" srcset=\"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/02\/1999-130-1-1-904x1024.jpg 904w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/02\/1999-130-1-1-265x300.jpg 265w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/02\/1999-130-1-1-768x870.jpg 768w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/02\/1999-130-1-1-1246x1412.jpg 1246w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/02\/1999-130-1-1-675x765.jpg 675w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/02\/1999-130-1-1-480x544.jpg 480w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/02\/1999-130-1-1.jpg 1324w\" sizes=\"auto, (max-width: 904px) 100vw, 904px\" \/><\/figure>\n\n\n\n<ul class=\"wp-block-list\"><li>Title:\u00a0Jar<\/li><li>Date:\u00a02500-1500 BCE<\/li><li>Location:\u00a0Japan<\/li><li>Physical Dimensions:\u00a0h14.13 in (Overall)<\/li><li>Provenance:\u00a0125th Anniversary Acquisition. Purchased with the Hollis Family Foundation Fund, the Henry B. Keep Fund, and the East Asian Art Revolving Fund, 1999<\/li><li>Type:\u00a0<a href=\"https:\/\/artsandculture.google.com\/entity\/m01x5q\">Ceramics<\/a><\/li><li>Rights:\u00a0\u00a9 2014 Philadelphia Museum of Art. All rights reserved.<\/li><li>External Link:\u00a0<a rel=\"noreferrer noopener\" href=\"http:\/\/www.philamuseum.org\/collections\/permanent\/92645.html\" target=\"_blank\">Philadelphia Museum of Art<\/a><\/li><li>Medium:\u00a0Earthenware with applied and incised decoration<\/li><li>Artist\/Maker:\u00a0Artist\/maker unknown, Japanese<\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">This jar from the Jomon Period is a remarkable example of an early Japanese ceramic work. Lines etched into the surface of the clay swirl and converge around the base of the jar, evoking scenes of water flowing downstream. The clay is a deep orange ochre hue, and the surface is not glazed. The wide mouth of the jar features four corners as well as additional etched designs. The jar was likely used for mainly decorative purposes, as well as to showcase the aesthetic value of ceramics in ancient Japan.  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Title:\u00a0Jar Date:\u00a02500-1500 BCE Location:\u00a0Japan Physical Dimensions:\u00a0h14.13 in (Overall) Provenance:\u00a0125th Anniversary Acquisition. Purchased with the Hollis Family Foundation Fund, the Henry&#8230;<\/p>\n","protected":false},"author":7,"featured_media":489,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[3],"class_list":["post-488","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-image","tag-japan","wpcat-18-id"],"_links":{"self":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/488","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/comments?post=488"}],"version-history":[{"count":1,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/488\/revisions"}],"predecessor-version":[{"id":491,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/488\/revisions\/491"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/media\/489"}],"wp:attachment":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/media?parent=488"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/categories?post=488"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/tags?post=488"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}