{"id":6377,"date":"2024-12-06T13:53:05","date_gmt":"2024-12-06T18:53:05","guid":{"rendered":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/?p=6377"},"modified":"2024-12-06T13:53:05","modified_gmt":"2024-12-06T18:53:05","slug":"nature-and-emotion-through-the-tales-of-genji","status":"publish","type":"post","link":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/uncategorized\/nature-and-emotion-through-the-tales-of-genji\/","title":{"rendered":"Nature and Emotion through the &#8220;Tales of Genji&#8221;"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-group\" style=\"padding-top:30px;padding-right:30px;padding-bottom:30px;padding-left:30px\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"wp-block-paragraph\">The&nbsp;<em>Tale of Genji<\/em>&nbsp; is a classic Japanese literary piece written by Murasaki Shikibu in the early 11th century. It is considered a sophisticated and detailed depiction of court life during Japan&#8217;s Heian period.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The story follows&nbsp;Hikaru Genji, the son of a Japanese emperor and a lower-ranked consort, making him a politically marginal prince. He is removed from the line of succession and becomes a commoner, earning the title &#8220;Shining Genji.&#8221; The narrative primarily focuses on Genji&#8217;s romantic and political journey, exploring his relationships with various women and the complications of love and desire.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The tale also delves into themes of impermanence, human emotions, and beauty placed in the context of elegant court culture.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This exhibition seeks to explore the way humans and nature interact. Both share many similarities\u2014they can embody calm, chaos, and beauty. While we often perceive a divide between ourselves and the natural world, we instinctively turn to it in moments of joy and challenge. We also see many truths of human nature within nature and its patterns. Despite the distinction we\u2019ve created between the two, our connection to nature remains fundamental, reflecting how deeply connected we are.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-query alignfull is-layout-flow wp-block-query-is-layout-flow\">\n<div class=\"wp-block-group alignfull\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-group\" style=\"padding-top:30px;padding-right:30px;padding-bottom:30px;padding-left:30px\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"450\" height=\"738\" src=\"http:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-04-at-4.27.13-PM.png\" alt=\"\" class=\"wp-image-6379\" srcset=\"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-04-at-4.27.13-PM.png 450w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-04-at-4.27.13-PM-183x300.png 183w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">This scene shows two women of upper status in conversation. It can be seen that they are in an open space with the ocean in the background adding a calm sense.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">CREATOR <a href=\"https:\/\/www.jstor.org\/action\/doBasicSearch?Query=creator%3A%22Utagawa%20Kuniyoshi%20(Japanese%20painter%2C%20printmaker%2C%20and%20illustrator%2C%201798-1861)%22\">Utagawa Kuniyoshi (Japanese painter, printmaker, and illustrator, 1798-1861)<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">CULTURE Japanese<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">TITLE Attendant Court Lady at the Kiritsubo Palace<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">STYLE\/PERIOD Edo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">DATE c. 1843<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">LOCATION Japan<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">MEDIUM Color woodcut<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">MEASUREMENTS sheet: 14 1\/4 x 9 1\/2 inches<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">REPOSITORY Wriston Art Center Galleries, Lawrence University, Appleton, WI<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"736\" height=\"714\" src=\"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-04-at-4.27.28-PM-2.png\" alt=\"\" class=\"wp-image-6391\" srcset=\"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-04-at-4.27.28-PM-2.png 736w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-04-at-4.27.28-PM-2-300x291.png 300w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-04-at-4.27.28-PM-2-675x655.png 675w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-04-at-4.27.28-PM-2-480x466.png 480w\" sizes=\"auto, (max-width: 736px) 100vw, 736px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">This image depicts three figures sitting outside conversing. The architecture in this scene allows for an open space to be in nature.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Creator: undetermined creator<br>Title: Genji Monogatari<br>Material: paper and ink&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dimensions: 8.5 in high&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Date: 12th century<br>Period: Heian&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Location: Japan&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Repository: Goto Bijutsu-kan Museum, Tokyo, Japan&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">URL:<\/p>\n\n\n\n<figure class=\"wp-block-embed\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/www.sandersofoxford.com\/shop\/product\/sakaki-genji-monogatari-chapter-10-the-sacred-tree-the-tale-of-genji\n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"576\" height=\"756\" src=\"http:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-04-at-4.27.42-PM-1.png\" alt=\"\" class=\"wp-image-6389\" srcset=\"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-04-at-4.27.42-PM-1.png 576w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-04-at-4.27.42-PM-1-229x300.png 229w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-04-at-4.27.42-PM-1-480x630.png 480w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">In this image, two nobles are meditating in an outdoor setting. Nature can be seen as a means of peace and focus in this image.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">People <a href=\"https:\/\/harvardartmuseums.org\/collections\/person\/30700\">Tosa Mitsunobu<\/a>, Japanese (active c. 1469-1522)&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Title Falling Flowers (Hanachirusato), Illustration to Chapter 11 of the Tale of Genji (Genji monogatari)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Work Type album leaf, painting<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Date Muromachi period, datable to 1509-1510<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Places Creation Place: East Asia, Japan, Kyoto Metropolitan Area, Ky\u014dto<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Period Muromachi period, 1392-1568<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Culture Japanese<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Persistent Link<\/p>\n\n\n\n<figure class=\"wp-block-embed\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/hvrd.art\/o\/200186\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Dimensions H. 24.2 cm x W. 18.0 cm (9 1\/2 x 7 1\/16 in.)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Credit Line Harvard Art Museums\/Arthur M. Sackler Museum, Bequest of the Hofer Collection of the Arts of Asia<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"616\" height=\"860\" src=\"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-04-at-4.27.54-PM-2.png\" alt=\"\" class=\"wp-image-6392\" style=\"width:263px;height:auto\" srcset=\"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-04-at-4.27.54-PM-2.png 616w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-04-at-4.27.54-PM-2-215x300.png 215w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-04-at-4.27.54-PM-2-480x670.png 480w\" sizes=\"auto, (max-width: 616px) 100vw, 616px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">This image shows Prince Genji in a distant and pensive state as he is dealing with his exile. He is looking towards nature, towards the water to stay grounded and calm. This is the first image in this image where the figure is looking at the surrounding nature.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">CREATOR <a href=\"https:\/\/www.jstor.org\/action\/doBasicSearch?Query=creator%3A%22Utagawa%20Kunisada%20(Japanese%20printmaker%20and%20illustrator%2C%201786-1864)%22\">Utagawa Kunisada (Japanese printmaker and illustrator, 1786-1864)<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">TITLE The Tale of Genji (\u6e90\u6c0f\u9999\u306e\u56f3)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">WORK TYPE woodcuts (prints)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">STYLE\/PERIOD Edo Ukiyo-e<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">DATE 19th century<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">TECHNIQUES woodcuts (prints)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">MEASUREMENTS each leaf approximately 10 x 7 1\/4 inches<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"622\" height=\"676\" src=\"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-04-at-4.28.06-PM-1.png\" alt=\"\" class=\"wp-image-6394\" style=\"width:267px;height:auto\" srcset=\"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-04-at-4.28.06-PM-1.png 622w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-04-at-4.28.06-PM-1-276x300.png 276w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2024\/12\/Screenshot-2024-12-04-at-4.28.06-PM-1-480x522.png 480w\" sizes=\"auto, (max-width: 622px) 100vw, 622px\" \/><\/figure>\n<\/div><\/div><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"margin-top:0;margin-bottom:0;padding-top:var(--wp--preset--spacing--30);padding-right:16px;padding-bottom:var(--wp--preset--spacing--30);padding-left:16px\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\"><nav class=\"wp-block-query-pagination is-content-justification-left is-nowrap is-layout-flex wp-container-core-query-pagination-is-layout-14d7fe8f wp-block-query-pagination-is-layout-flex\" aria-label=\"Pagination\">\n\n\n<a href=\"\/Asianart\/wp-json\/wp\/v2\/posts\/6377?query-31-page=2\" style=\"text-transform:uppercase\" class=\"wp-block-query-pagination-next has-small-font-size\">Next<\/a>\n<\/nav><\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<p class=\"wp-block-paragraph\">This scene is about Princess Ukifune and her struggle between choosing worldly possessions and inner peace. With her posture slouched and head down, the viewer can gather that she is facing a time of challenge. The surrounding nature of the trees and the body of water around her adds a calming sense to this image and can be seen as a means of her keeping her ground through this time.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/collections.mfa.org\/search\/Objects\/peopleSearch%3AUtagawa%20Hiroshige%20I;jsessionid=C11002984838105C919691D0021AC090\"><br>Utagawa Hiroshige I<\/a> (Japanese, 1797\u20131858)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Edo period 1847\u201352 (K\u00f4ka 4\u2013Kaei 5)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">MEDIUM\/TECHNIQUE Woodblock print (nishiki-e); ink and color on paper<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">DIMENSIONS Horizontal ch\u00fbban; 22.5 x 27.7 cm (8 7\/8 x 10 7\/8 in.)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">CREDIT LINE William S. and John T. Spaulding Collection<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">References<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Falling Flowers (Hanachirusato), Illustration to Chapter 11 of the Tale of Genji (Genji monogatari). <\/em><a href=\"https:\/\/harvardartmuseums.org\/collections\/object\/200186\">https:\/\/harvardartmuseums.org\/collections\/object\/200186<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>My 2012 Side-Session: The Tale of Genji. <\/em><a href=\"https:\/\/chazzw.wordpress.com\/tale-of-genji\/\">https:\/\/chazzw.wordpress.com\/tale-of-genji\/<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Tale Of Genji Collection. <\/em><a href=\"https:\/\/www.mediastorehouse.com\/galleries\/tale-of-genji\">https:\/\/www.mediastorehouse.com\/galleries\/tale-of-genji<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>The Ukifune Chapter of the Tale of Genji (Ukifune). <\/em><a href=\"https:\/\/collections.mfa.org\/objects\/237761\">https:\/\/collections.mfa.org\/objects\/237761<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tyler Royall.<em>The Disaster of the Third Princess : Essays on The Tale of Genji (Volume 1.0)<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Ader. <\/em><a href=\"https:\/\/www.ader-paris.fr\/en\/lot\/127770\/19231013-painting-on-paper-depicting-a-hoshi-mandara-xing-man-tu-luo\">https:\/\/www.ader-paris.fr\/en\/lot\/127770\/19231013-painting-on-paper-depicting-a-hoshi-mandara-xing-man-tu-luo<\/a>scroll titled Genji Monogatari. <a href=\"https:\/\/shibbolethsp.jstor.org\/start?entityID=https%3A%2F%2Fidp.conncoll.edu%2Fentity&amp;dest=https:\/\/www.jstor.org\/stable\/community.14368138&amp;site=jstor\">https:\/\/shibbolethsp.jstor.org\/start?entityID=https%3A%2F%2Fidp.conncoll.edu%2Fentity&amp;dest=https:\/\/www.jstor.org\/stable\/community.14368138&amp;site=jstor<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The&nbsp;Tale of Genji&nbsp; is a classic Japanese literary piece written by Murasaki Shikibu in the early 11th century. It is&#8230;<\/p>\n","protected":false},"author":196,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-6377","post","type-post","status-publish","format-standard","hentry","category-uncategorized","wpcat-1-id"],"_links":{"self":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/6377","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/users\/196"}],"replies":[{"embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/comments?post=6377"}],"version-history":[{"count":7,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/6377\/revisions"}],"predecessor-version":[{"id":6407,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/6377\/revisions\/6407"}],"wp:attachment":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/media?parent=6377"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/categories?post=6377"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/tags?post=6377"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}