{"id":879,"date":"2021-03-25T18:17:13","date_gmt":"2021-03-25T23:17:13","guid":{"rendered":"http:\/\/diluo.digital.conncoll.edu\/Asianart\/?p=879"},"modified":"2021-12-21T11:10:22","modified_gmt":"2021-12-21T16:10:22","slug":"dancer-as-sagi-musume","status":"publish","type":"post","link":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/image\/dancer-as-sagi-musume\/","title":{"rendered":"Dancer as Sagi Musume"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/03\/Dancer-as-Sagimusume-1-664x1024.png\" alt=\"\" class=\"wp-image-746\" width=\"839\" height=\"1294\" srcset=\"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/03\/Dancer-as-Sagimusume-1-664x1024.png 664w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/03\/Dancer-as-Sagimusume-1-195x300.png 195w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/03\/Dancer-as-Sagimusume-1-768x1184.png 768w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/03\/Dancer-as-Sagimusume-1-675x1040.png 675w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/03\/Dancer-as-Sagimusume-1-480x740.png 480w, https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-content\/uploads\/2021\/03\/Dancer-as-Sagimusume-1.png 780w\" sizes=\"auto, (max-width: 839px) 100vw, 839px\" \/><figcaption>This piece by Taniguchi Kokyo is titled Dancer as Sagi Musume. It shows a young woman, possibly a young Geisha standing with a shy look, covering most of her face. A Geisha is a woman who performs traditional Japanese art forms for wealthy clientele, and still exist today. This piece had a few different versions made with some using a yellow color on the belt and umbrella, and a light blue on the underside of her dress. This woman, although alone on the print, displays a feeling of flirtation and &#8220;cute shyness&#8221; with her eyes peeking through the fabric she holds to her face. She also seems very elegant, almost as an angel appearing to be floating. <\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Artist: Taniguchi Kokyo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Date Created: 1900s<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Location: Japan<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dimensions: 10.5 in by 16.25 in&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Medium: Woodblock print; ink and color on paper<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Historical Period: Meiji Era<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">References<\/h2>\n\n\n\n<ol class=\"wp-block-list\"><li><a href=\"http:\/\/www.jaodb.com\/db\/compareitems.asp?varPDindex=15332\">http:\/\/www.jaodb.com\/db\/compareitems.asp?varPDindex=15332<\/a><\/li><li><a href=\"https:\/\/oak.conncoll.edu\/visual\/asian-art\/Caroline%20Black%20Collection%20of%20Japanese%20Woodcuts\/content\/_2885879585_large.html\">https:\/\/oak.conncoll.edu\/visual\/asian-art\/Caroline%20Black%20Collection%20of%20Japanese%20Woodcuts\/content\/_2885879585_large.html<\/a><\/li><\/ol>\n","protected":false},"excerpt":{"rendered":"<p>Artist: Taniguchi Kokyo Date Created: 1900s Location: Japan Dimensions: 10.5 in by 16.25 in&nbsp; Medium: Woodblock print; ink and color&#8230;<\/p>\n","protected":false},"author":5,"featured_media":738,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[40,18],"tags":[39,3,2],"class_list":["post-879","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-connecticut-college","category-image","tag-connecticut-college","tag-japan","tag-print","wpcat-40-id","wpcat-18-id"],"_links":{"self":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/879","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/comments?post=879"}],"version-history":[{"count":3,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/879\/revisions"}],"predecessor-version":[{"id":1016,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/879\/revisions\/1016"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/media\/738"}],"wp:attachment":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/media?parent=879"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/categories?post=879"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/tags?post=879"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}