{"id":962,"date":"2021-05-09T21:14:07","date_gmt":"2021-05-10T02:14:07","guid":{"rendered":"http:\/\/diluo.digital.conncoll.edu\/Asianart\/?p=962"},"modified":"2021-12-21T11:06:55","modified_gmt":"2021-12-21T16:06:55","slug":"works-cited-page","status":"publish","type":"post","link":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/bibliography\/works-cited-page\/","title":{"rendered":"From Katsushika to Kooning, Bibliography"},"content":{"rendered":"\n

JSTOR ARTICLES<\/strong><\/p>\n\n\n\n

Bailey, Kate. “A Note on Prussian Blue in Nineteenth-century Canton.”\u00a0Studies in Conservation<\/em>\u00a057, no. 2 (2012): 116-21. Accessed May 10, 2021. http:\/\/www.jstor.org\/stable\/42751767.<\/p>\n\n\n\n

Guth, Christine M. E. “Hokusai’s Great Waves in Nineteenth-Century Japanese Visual Culture.” The Art Bulletin<\/em> 93, no. 4 (2011): 468-85. Accessed March 25, 2021. doi:10.2307\/23208270.<\/p>\n\n\n\n

Kone\u010dni, Vladimir J. “Emotion in Painting and Art Installations.” The American Journal of Psychology<\/em> 128, no. 3 (2015): 305-22. Accessed March 25, 2021. doi:10.5406\/amerjpsyc.128.3.0305. <\/p>\n\n\n\n

Mikellides, Byron. “COLOR AND PHYSIOLOGICAL AROUSAL.” Journal of Architectural and Planning Research<\/em> 7, no. 1 (1990): 13-20. Accessed March 25, 2021. http:\/\/www.jstor.org\/stable\/43028942.<\/p>\n\n\n\n

Woodward, Ashley. “Immaterial Matter: Yves Klein and the Aesthetics of the Sensible.” In Lyotard and the Inhuman Condition: Reflections on Nihilism, Information and Art<\/em>, 151-64. Edinburgh: Edinburgh University Press, 2016. Accessed March 25, 2021. http:\/\/www.jstor.org\/stable\/10.3366\/j.ctt1bh2jd3.12<\/a>.<\/p>\n\n\n\n

IMAGE SOURCE INFORMATION<\/strong><\/p>\n\n\n\n

\u201cBarbara (ANT 113).\u201d Yves Klein (1928-1962), Christie’s, www.christies.com\/en\/lot\/lot-6236043. <\/p>\n\n\n\n

\u201cHomage to the Square.\u201d Josef Albers (1888-1976), Christie’s, www.christies.com\/en\/lot\/lot-6022690. <\/p>\n\n\n\n

\u201cThe Inspiration Behind Yves Klein Blue.\u201d Invaluable, Invaluable, 15 Oct. 2019, www.invaluable.com\/blog\/yves-klein-blue\/. <\/p>\n\n\n\n

\u201cKanagawa Oki Nami Ura (Under the Well of the Great Wave off Kanagawa).\u201d KATSUSHIKA HOKUSAI (1760-1849), Christie’s, www.christies.com\/lot\/lot-katsushika-hokusai-1760-1849-kanagawa-oki-nami-ura-6307211\/?from=salesummary&amp;intObjectID=6307211&amp;lid=1&amp;ldp_breadcrumb=back. <\/p>\n\n\n\n

\u201cNow Modern Art Evening Sale- PROPERTY FROM AN IMPORTANT PRIVATE ASIAN COLLECTION Zao Wou-Ki 19.11.59 ||| Abstract ||| Sotheby’s.\u201d Sotheby’s, Sotheby’s, www.sothebys.com\/en\/auctions\/ecatalogue\/2020\/modern-art-evening-sale-hk0928\/lot.1018.html. <\/p>\n\n\n\n

\u201c10 Things to Know about Hokusai: Christie’s.\u201d Hokusai: 10 Things to Know | Christie’s, Christie’s, 11 Mar. 2021, www.christies.com\/features\/10-things-to-know-about-Hokusai-9742-3.aspx. <\/p>\n\n\n\n

\u201cUntitled XXIV .\u201d Willem De Kooning (1904-1997), Christie’s, www.christies.com\/en\/lot\/lot-5846079. <\/p>\n\n\n\n

\u201cViewing the Waterfall.\u201d ZHANG DAQIAN (1899-1983), Christie’s, www.christies.com\/lot\/lot-zhang-daqian-1899-1983-viewing-the-waterfall-6147141\/. <\/p>\n\n\n\n

\u201cYVES KLEIN: UNTITLED BLUE MONOCHROME (IKB 108): Contemporary Art Evening Auction.\u201d Sotheby’s, Sotheby’s, www.sothebys.com\/en\/buy\/auction\/2020\/contemporary-art-evening-auction-3\/yves-klein-untitled-blue-monochrome-ikb-108. <\/p>\n\n\n\n

By: Isabella Di Scipio<\/p>\n","protected":false},"excerpt":{"rendered":"

JSTOR ARTICLES Bailey, Kate. “A Note on Prussian Blue in Nineteenth-century Canton.”\u00a0Studies in Conservation\u00a057, no. 2 (2012): 116-21. Accessed May…<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[38],"tags":[],"class_list":["post-962","post","type-post","status-publish","format-standard","hentry","category-bibliography","wpcat-38-id"],"_links":{"self":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/962","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/comments?post=962"}],"version-history":[{"count":5,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/962\/revisions"}],"predecessor-version":[{"id":3560,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/posts\/962\/revisions\/3560"}],"wp:attachment":[{"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/media?parent=962"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/categories?post=962"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/diluo.digital.conncoll.edu\/Asianart\/wp-json\/wp\/v2\/tags?post=962"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}